Eve in the Garden
by Beth Spencer 
(note: this page is mirrored from 
the Recursive Angel website)

My sister and my cousins and I would hide in the hall closet
and bitch about my Grandmother. How she snored, how she lied, 
making stories about past lovers that who could believe? An 
old lady propped up with cushions, the commode in the corner. 
The faint smell of cough lozenges, hard purple discs, the colour 
of the coat she wore when she went to church, the colour of the 
veins that laced her hands...
        Guilt.
        She gave me lozenges and cuddled me when I cried because 
        I was homesick. 
        (Because she was too.)
        Guilt and grief, that house. 
        With the bags of clothes for the mission, boxes full of 
buttons, delicate china in lead-light cabinets. Furniture with 
fat carved legs. Delicate cast-offs. Dust on the shelves. And the 
rooms are dim because electricity is expensive. 
        Everything is. 
        Waste is a sin.
        But there's sun in the corner, where I sit and knit and read 
and wait. Till it's time to go home again. To breathe air again. Wait. 
To run through the paddocks and lay in the 
grass. Wait.
        To dream of those lovers.

        *

Dust clings to an old memory. 
        Adam and Eve in the garden. 
        Inside the house we eat figs for tea from a can labelled peaches. 
        I wet my pants because I'm scared of the toilet, a can that a man empties on 
Mondays. It's Sunday and it's full of shit and blood and soiled napkins, so I piss in my 
pants and my Aunt's disgusted as she mops the floor of my piss and my tears.
        Hot stinging piss.
        Hot stinging tears.
        (Guilt, again..)
        In my mouth, down my legs.
        Grief emanates from my Grandmother's room, a thin white cloud, a wolf in a red 
cloak, a husband dead thirty years. 
        There's nowhere to hide, the walls stand like bodies, their eyes are everywhere. 
Disgust stamps my Aunt's features. She wishes I were dead. My cousin stands to one side. 
She is younger than I. 
        I am given her underpants to wear. 
        Large, like grey houses, like elephants.
        Oh Grandma..!

...At school there was the incinerator for the pads, always smoke from the chimney or 
blocked toilets, something to find you out, nowhere to hide, the teachers wore my aunt's 
eyes as they spied out our sins...

Take thiss...shh. 
        But I didn't know, back then.
        Take me back to that house and we'll do it again. Find the crack in the record, 
where it sticks. Listen..!
        Grandma, can you hear it?
        There! That hisss..! I think it's you.

Yes, Grandma. It is you. 
        Wishing and missing and mourning your dead. Feeding me guilt and the bible, 
washing your hands in the chamber pot, ooh la, Lady Macbeth. 
        --Your hair yellow with age like an old book 
        --Your laugh crackles at the edges 
        --Your hands like two claws as you stuff me into pants full of 
        Ashh 
        ..shhhh.. 
        Take thisss hide your shame.

In my dream: I see you there in the kitchen; whetting the knife. 
        Initiation. 
        Took my hands away from myself and said I must wait. 
        (Yes. Wait.)

There's nowhere to hide, you said. Nowhere. God's in the bushes, there, see! -- Where you 
saw that branch move and a white bird. --God's in the cupboard when you take out the 
butter. -- God's in the tap when you run your bath. 
        God's in my mouth, taste it... Ashhhh... Shhh... He'll hear you. 
        Quick, hide your shame, girl. 

Hide it, because there's blood on the knife. And they'll want more, you said, they always 
do. 

Oh, mother, Grandma..! 
        I've pissed in my pants and there's nowhere to hide. 
        I've a raw wound that bleeds and there's nowhere to hide. 
        I've an ache down here, sir, and there's no-one to fill it.
        Listen.
        There it is again! An old cracked record. 
        (Wait.)
        Taste it, blood on your lips.

We ate figs and the syrup ran down my cousin's chin and she licked it clean. 
        Feel this ache. 
        I want to go back! 
        There's no going back. Here, girl, feel this ache, here, like mine.
        Yes, Grandma.
        When you are older a man will touch you into life, there.
        We ate figs for tea and God licked the syrup from her chin and she was naked and 
didn't know it, she was younger than I, and she touched herself at night Grandma, there, 
where you said..
        Shh.. Take your hands away, and wait.

 Grandma! Adam's in the garden. Where's Eve?
        Eve's waiting. Sleep now.
        Grieve for Eve...
        This is not for you yet. Wait.
        Adam comes riding on his great white horse, plunging on his horse, down down 
into my dreams. One day he'll come and touch me into life, there, where my hand..
        Guilt in my mouth down my legs warm like heated honey when I'm in bed alone at 
night beating at the window like a moth diving like a white bird. 
        Left me all alone for thirty years.
        Shh.

Guilt. And grief. 
        Sleep. This is not, this is not for you yet. 
        Wait.
        When you are older a man will come and touch you into life.
        There?
        When you are older. Take your hands away. Wait. One day...
        Thirty years, Grandma?

God takes your man, so you wait. Takes your hand away and gives you, what?  A hole, an 
ache. So you wait. 

There it is again. A crack in the record. 
        Listen. 
        Shhh.

Adam comes riding on his great white horse, plunging on his horse, down... Down into my 
dreams. 
        One day he'll come and touch me into life...

So you wait. 
        Wait. 
        But tell me. 
        For what this time? 
 



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An audio version of this piece was produced for ABC Radio's The Listening Room in 1992, produced with sound effects by Claudia Taranto and Beth Spencer, and performed by Jacqui McKenzie, Melissa Jaffe, Dina Panozzo and Queenie Ashton. Currently available on Beth Spencer's double cd Body of Words.

Art by Francis Bacon
layout by Recursive Angel
"Eve in the Garden" was originally published in How to Conceive of a Girl
by Beth Spencer Vintage/Random House Australia, 1996

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